“…Within theoretical linguistics, the concept of sonority has been argued to explain such diverse phenomena as syllable structure (e.g., Clements, 1990;Selkirk, 1982;Zec, 1995), phonotactic rules (e.g., Blevins, 1995), the emergence of prosodic features (e.g., Rialland, 1994), cross-linguistic variation (Greenberg, 1978), and diachronic changes (Crowley & Bowern, 2010). In turn, a number of experimental investigations has revealed sonority as one of the factors predicting the chronology of sequences mastered by young children (e.g., Goad, in press;Locke, 1983;Ohala, 1999;Pater, 2009), the rate and type of errors observed in individuals with developmental or acquired language impairments (e.g., Bastiaanse, Gilbers, & van der Linde, 1994;Buckingham, 1986;Béland, Caplan, & Nespoulous, 1990;Christman, 1994;Romani & Calabrese, 1998;Romani & Galluzzi, 2005;Romani, Olson, Semenza, & Granà, 2002;Stenneken, Bastiaanse, Huber, & Jacobs, 2005), and aspects of speakers' implicit knowledge of phonological grammar as measured by perception and production tasks (Berent, Lennertz, Jun, Moreno, & Smolensky, 2008;Daland et al, 2011) although it has been noted that sonority does not account for the entire range of variation in these investigations (Davidson, 2011;Davidson & Shaw, 2012). Despite the explanatory power of this notion, there is not clear agreement on exactly what sonority represents, with one prominent researcher (Clements, 2009) describing the current state of knowledge on the nature of sonority as ''elusive' ' (p. 165).…”