The Rise of the Modern Witch: Analyzing Devon Cole’s ‘W.I.T.C.H.’ in Feminist Discourse

Abstract

This scholarly investigation critically examines Devon Cole’s song, “W.I.T.C.H.,” within the framework of feminist discourse and its implications for women’s autonomy over their bodies. The study pursues two primary objectives: firstly, it examines Cole’s lyrical portrayal of witches as emblematic of “Women In Total Control of Herself,” and secondly, it assesses the resonance of these lyrics with established feminist theories, particularly within the context of Reproductive Justice. This inquiry is contemporarily situated amidst pivotal developments such as the 2022 Roe vs. Wade decision reversal and the emergence of stringent anti-abortion legislation. The enduring symbol of the witch has consistently persisted as a representation of feminist resistance, retaining its relevance in contemporary popular culture. Artists like Cole strategically leverage feminist theories to infuse their creative works with social commentary, thereby facilitating the dissemination of gender-related concerns. By employing the witch symbol, Cole and her contemporaries actively challenge prevailing societal norms, engendering meaningful dialogues on issues pertaining to women’s rights and autonomy. In sum, this paper illuminates the focal point of its analysis, Devon Cole’s “W.I.T.C.H.,” within the broader context of feminist theory. It underscores the significance of the feminist reinterpretation of the witch archetype and its pertinence to contemporary gender-related matters while also acknowledging the broader sociopolitical backdrop against which this discourse unfolds.