Abstract:Two protest songs created within the first month of the 2019 Chilean uprising were intended as explicit statements against violence and in favor of peace, but they voiced different understandings of violence and proposed different ways out of the conflict. The artists behind each song argued that their recordings were nonpartisan, cutting across traditional left-right divides. The songs’ use and reception, however, shows that for Chilean audiences these songs conveyed a clear political cleavage through their l… Show more
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