“…In this piece, she examines her relationship with her father and the conversations that took place over more than a decade, as she situates queerness within the realm of potentially divisive, but also potentially transformative family relationships. Likewise, Nat Randall and Anna Breckton's 24-h endurance performance piece The Second Woman (Randall and Breckton, 2016) provokes cultural commentary on gender, privilege, and oppression through the repetition of a single scene on repeat. The depth to which Nat Randall deconstructed not just herself, but gender roles and identities through performing opposite 100 different men, for 100 of the same scenes, had overtones akin to a critical autoethnographic work.…”