The Rhetoric of Intertextuality

D'Angelo, Frank J.

doi:10.1080/07350190903415172

Cited by 33 publications

(19 citation statements)

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“…Intertextuality, according to Allen (), “is one of the most commonly used and misused terms in contemporary critical vocabulary” (p. 2). During my research with elementary and middle‐school students, I use the term intertextuality to refer to connections between texts and illustrations and cultural knowledge and artifacts such as other texts, television, media, video, other characters, works of art, advertisements, and “sayings.” Three of the six strategies of intertextuality identified by D'Angelo (), appropriation, parody, and pastiche, are relevant to the analysis of the metafictive devices in NO BEARS .…”

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confidence: 99%

“…Pastiche and parody are two other strategies of intertextuality (D'Angelo, ). The term pastiche can be used to describe either verbal or visual textual imitation that is stylistic in nature or to describe creative works that are a mixture of fragments or pieces borrowed from original work.…”

Section: No Bearsmentioning

confidence: 99%

“…The term pastiche can be used to describe either verbal or visual textual imitation that is stylistic in nature or to describe creative works that are a mixture of fragments or pieces borrowed from original work. D'Angelo () stated that pastiche is a “form of borrowing, imitating, and pasting together other forms” (p. 41). Ella juxtaposes several diegetics in her notebook story as she mixes and pastes together characters from other textual worlds.…”

Section: No Bearsmentioning

confidence: 99%

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The Metafictive Nature of Postmodern Picturebooks

Pantaleo¹

2014

The Reading Teacher

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Throughout its history, the ecology of the picturebook has been impacted by various social and cultural changes. Postmodernism is one perspective, among other conceptual and theoretical frameworks, that has been proposed to explain some of the fundamental changes evident in many contemporary picturebooks. A review of the literature (Pantaleo & Sipe, 2008) reveals agreement among researchers and theorists that metafiction is one of the most prominent features exhibited in postmodern literature. Succinctly, metafiction draws the attention of readers to how texts work and to how meaning is created through the use of a number of devices or techniques. Following an overview of postmodern picturebooks and metafictive devices, the author provides an analysis of the metafictive devices evident in the picturebook NO BEARS (McKinlay & Rudge, 2012). The article concludes with a discussion of how postmodern picturebooks with metafictive devices can contribute to students' development as readers, writers, and creative thinkers.

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Section: No Bearsmentioning

confidence: 99%

Section: No Bearsmentioning

confidence: 99%

Section: No Bearsmentioning

confidence: 99%

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The Metafictive Nature of Postmodern Picturebooks

Pantaleo¹

2014

The Reading Teacher

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“…As a rule, the intertextual analysis is carried out on the material of verbal or visual citation: researchers note that "creolized advertising appears as a dicode text containing verbal and visual imageries" [6, p. 129]. At the same time, one can speak of the increased interest of foreign researchers in the role of background music in advertising texts, including in the terms of intertextuality [7][8][9][10][11][12][13][14].…”

Section: Introductionmentioning

confidence: 99%

Audio intertextuality in modern advertising text

Terskikh

2019

SHS Web Conf.

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The article is devoted to the study of audio intertextuality in modern advertising discourse. Despite the researchers' increased interest in the problem of intertextual interaction, the issue of the functioning of the intertextuality mechanism in advertising, including social advertising, is still not fully covered, especially, since the advertising field is dynamic and provides extensive new material for research every day. The author pays special attention to the functional yield of audio intertextuality in advertising. As the basic functions of audio intertextual inclusions in the discourse of commercial and social advertising, the author identifies the attractive and aesthetic functions as the most significant and regularly realized; as secondaryplayful and persuasive. Russian and foreign commercials serve as the material for the study. The method of intertextual analysis is used as fundamental. It consists in establishing the relations of derivation between texts and analyzing the formal and semantic transformations of text units and the text as a whole.

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“…In fact, with irony as one of its most distinguished element, parody demonstrates a range of pragmatic ethos "from scornful ridicule to reverential homage" [1] . And postmodern theorists continue to see parody as one of the key strategies of postmodern style [4] . Parody can assume many forms.…”

Section: Definition Of Parodymentioning

confidence: 99%

Solution to A Cultural Dilemma: The Strategy of Parody in Maxine Hong Kingston’s The Woman Warrior

Huang¹

2017

dtssehs

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Abstract. The Woman Warrior is the most commonly read yet most controversial one among all the works written by Maxine Hong Kingston. Although it was published as nonfiction and considered as an autobiography by common readers, critics and scholars have held different viewpoints concerning its identity. She labels the book as "memoirs", but family anecdotes, folktales, myths, historical stories, dreams and memories are mixed all up in the book. Besides, the writing techniques are also different from traditional autobiographies. Taking the social background and the writer's personal experience into account, the paper analyzes the protagonists, structure and narrative strategy of the book and concludes that The Woman Warrior is in fact a parody of contemporary autobiography. By challenging the static notion of autobiography, Kingston claims her cultural status as an ethnic woman writer in America.

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The Rhetoric of Intertextuality

Cited by 33 publications

References 9 publications

The Metafictive Nature of Postmodern Picturebooks

The Metafictive Nature of Postmodern Picturebooks

Audio intertextuality in modern advertising text

Solution to A Cultural Dilemma: The Strategy of Parody in Maxine Hong Kingston’s The Woman Warrior

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