The Revolution and its Discontents: Grenadian Newspapers and Attempts to Shape Public Opinion during Political Transition

Abstract

What role did the newspaper play in attempting to influence public opinion in the early stages of the Grenada Revolution and what are the terms in which printed discourses on the revolution were conceptualised? The Grenada Revolution was a discursive political process where branding and narration were necessary elements in securing the revolution's authority and legitimacy. This paper argues that Cuba functioned as a metonym through which the revolution was translated in Grenadian periodicals. Even before the coup of 13 March 1979 Grenadian media represented the New Jewel Movement-the revolutionary party-as Cuban-inspired and socialist. In order to examine how socialism in general, and the socialist character of the People's Revolutionary Government (PRG) in particular, was narrated, a comparison is staged between two newspapers-the government-run Free West Indian and the privately owned The Torchlight. Competing discourses on Cuban communism are analysed for the ways in which they stood-in for the Grenadian people's hopes, aspirations and anxieties in the midst of radical political change. Issues including race, gender equality, property ownership, freedom of religious practice and freedom of travel are examined in relation to capitalism and socialism, and the PRG's efforts to maintain narrative authority of the revolution.

The sovereignty of the imagination: Poetic authority and the fiction of North Atlantic universals in Dionne Brand’s Chronicles of the Hostile Sun

“… 5. I discuss Cuba–Grenada tensions as expressed in Grenadian print media in more detail in Lambert (2013a). …”