The Representation of Women in Pendhoza's Bojoku Galak's Song through Sara Mills's Critical Discourse Analysis Model

Hariyana, Agustinus; Rasyid, Yumna; M.Pd.,; Anwar, Miftahulkhairah; M.Hum.,

doi:10.18502/kss.v4i14.7914

Cited by 4 publications

(6 citation statements)

References 2 publications

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“…The song's ideology portrays men as characters who are sincere in love, while women only use the man's sincerity as a source of relief from loneliness. Like Hariyana et al's research [9], men are portrayed with a good image as characters who always fight, love sincerely, and are patient. On the other hand, women are portrayed with a bad image as characters who always hurt men and are selfish.…”

Section: Culturalistics: Journal Of Cultural Literary and Linguistic ...mentioning

confidence: 92%

Problematics of Unrequited Love in the Modern Javanese Song “Klebus” by Ngatmombilung (Critical Discourse Analysis)

Hasanah,

Mastur

2023

CULTURALISTICS

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Love can be interpreted as a process that occurs in society, begins with a feeling of happiness, romance, and harmony. However, love can also end in heartbreak, disappointment, unrequited love, suffering, and so on. One of the sad endings to love experinced by many people, especially young people, is unrequited love. This study aim to analyze the problematic nature of unrequited love in the modern Javanese song titled “Klebus”, which was popularized by Ngatmombilung. The research method is descriptive-qualitative with the critical discourse analysis approach of Norman Fairclough to explore the meaning of songs critically and in depth. Data collection techniques include document studies, content analysis, and interviews. Data analysis techniques are carried out in three dimensions, namely textual dimensions, discursive practice dimensions, and sociocultural practical dimensions, to get appropriate conclusions. This study shows that in the song "Klebus", there is a representation of the problems of the love story of someone who is not avenged even though they struggled and gave their best. Young people who have an attitude of being too hopeful about the feelings of others can actually cause pain, disappointment, sadness, and suffering. In the end, letting go and accepting reality becomes the right choice.

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Section: Culturalistics: Journal Of Cultural Literary and Linguistic ...mentioning

confidence: 92%

Problematics of Unrequited Love in the Modern Javanese Song “Klebus” by Ngatmombilung (Critical Discourse Analysis)

Hasanah,

Mastur

2023

CULTURALISTICS

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“…Kata ganti yang digunakan dalam menuturkan berita menunjukkan posisi perempuan di bawah yang juga ditandai dengan penggunaan pola bercerita yang memojokkan seorang perempuan. Penelitian mengenai representasi seorang Wanita di dalam lagu Bojoku Galak (Hariyana et al, 2020) menemukan bahwa pada lagu tersebut, seorang pria digambarkan sebagai subyek yang memiliki citra positif, mulai dari seseorang yang lembut hingga penyayang. Sebaliknya Wanita diposisikan sebagai objek dengan citra pemarah, pemarah, menuduh, egois, dan kurang memperhatikan suaminya.…”

Section: A Pendahuluanunclassified

Analisis Wacana Kritis Sara Mills dalam Cerpen Sepasang Mata Dinaya yang Terpenjara

2023

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This research aims to describe the subject-object and writer-reader positions in the short story "Sepasang Mata Dinaya yang Terpenjara" by Ni Komang Ariani. This research is qualitative descriptive research. The subject of this research is the storyteller, who is the one who tells the story to the reader. The object of this research is how Diyana's position as a child from childhood has been positioned as a person who only accepts reproaches from her mother without resistance and how her position in her husband's eyes is not considered her presence. This research data was collected by analyzing short stories published in Kompas newspaper on May 20, 2010, using Sara Mills' critical discourse analysis. This research's instrument is the researcher who captures the language style conveyed in the short story. The results of this study show how the subject-object position in the story where the object of the story is more likely to accept her condition, although there is a little resistance but only in his mind. While the subject-object position here is that the subject leads the reader to accept the author's ideas and sympathize with the object.

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“…In this theory, Sara Mills emphasizes the position of the actor which is classified into the subject-object position and the position of the reader. Sara Mills puts representation as an important part of her analysis that can reveal how a group, person, idea, or event that is displayed can influence the meaning received by the public (Hariyana et al, 2020). In the context of women, Sara Mills' critical discourse analysis tries to reveal and analyze how texts portray women, including how women are objectified or controlled by existing narratives.…”

Section: Introductionmentioning

confidence: 99%

Representation of Women in Demi Nama Baik Kampus Short Films from Sara Mills’ Perspective

Wibawani,

Anwar

2023

jpdr

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This study aims to reveal the representation of women in the short film Demi Nama Baik Kampus from the perspective of Sara Mills' critical discourse analysis. This research includes descriptive qualitative research with a critical paradigm. The research data are characters' speeches that show the form and meaning of actors' positions, while the data source comes from the short film Demi Nama Baik Kampus. The data collection was done by a note-taking technique that refers to Sara Mills' critical discourse analysis theory. The results showed that (1) the subject position is occupied by Sinta; (2) the object position is occupied by Mr. Rector and Mr. Arie; and (3) the audience position is directed to take themselves from the perspective of Sinta as a victim of sexual harassment who was silenced for the sake of maintaining the good name of the campus. At the end of the story, women are represented as brave, persistent, tough, strong, and powerful. In general, the implications of this research emphasize a more positive paradigm, inspire more responsible and inclusive media use, and promote the development of narratives that support gender equality and women's empowerment.Keywords: representation, women, short films, Sara Mills

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The Representation of Women in Pendhoza's Bojoku Galak's Song through Sara Mills's Critical Discourse Analysis Model

Cited by 4 publications

References 2 publications

Problematics of Unrequited Love in the Modern Javanese Song “Klebus” by Ngatmombilung (Critical Discourse Analysis)

Problematics of Unrequited Love in the Modern Javanese Song “Klebus” by Ngatmombilung (Critical Discourse Analysis)

Analisis Wacana Kritis Sara Mills dalam Cerpen Sepasang Mata Dinaya yang Terpenjara

Representation of Women in Demi Nama Baik Kampus Short Films from Sara Mills’ Perspective

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