1981
DOI: 10.1093/mt/1.1.9
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The Relationship Between Music Therapy and Theories of Psychotherapy

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Cited by 21 publications
(16 citation statements)
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“…Psychodynamic concepts and ways of understanding the interpersonal and musical dynamics of music therapy illuminate clinical practice in this field, informing both the preverbal and nonverbal realms from which music therapy processes arise. Music therapists report the closely linked musical and psychodynamic phenomena of transference and countertransference as central processes of therapeutic change (Brown, 2002;Bruscia, 1998b;Hadley, 2003;Montello, 1999;Robarts, 1994Robarts, , 2003Rogers, 1995Rogers, , 2003Streeter, 1999;Turry, 1998;Wheeler, 1981). These are among the all important unsounded, less outwardly observable, but inwardly sense-able phenomena of musical empathy and musical interpretation.…”
Section: Meeting In Musicmentioning
confidence: 99%
“…Psychodynamic concepts and ways of understanding the interpersonal and musical dynamics of music therapy illuminate clinical practice in this field, informing both the preverbal and nonverbal realms from which music therapy processes arise. Music therapists report the closely linked musical and psychodynamic phenomena of transference and countertransference as central processes of therapeutic change (Brown, 2002;Bruscia, 1998b;Hadley, 2003;Montello, 1999;Robarts, 1994Robarts, , 2003Rogers, 1995Rogers, , 2003Streeter, 1999;Turry, 1998;Wheeler, 1981). These are among the all important unsounded, less outwardly observable, but inwardly sense-able phenomena of musical empathy and musical interpretation.…”
Section: Meeting In Musicmentioning
confidence: 99%
“…Rogers (1961) proposes that growth changes in the process of self-exploration are only possible in the presence of certain therapist qualities, in particular, genuineness, unconditional positive regard and empathy. Similarly, in music therapy, the therapist’s role is to maintain a stance of non-directive availability that enables the client to freely express his or her inner experiences through words and music (Baker, 2015; Wheeler, 1981).…”
Section: Emerging Methodologymentioning
confidence: 99%
“…özellikleri içermektedir (Kozan ve Ergin 1998;Tan Şahin, 2007 (Tüfekçi, 2008), bazılarında ise Uygulu Çocuk (Kaçar, 2008;Keler, 2008;Şamatacı, 2013) (Gaskar ve Özyazıcıoğlu, 2014;Gelbal, 2008;Kapçı ve diğ., 2009;König, 2008;Yılmaz, Yılmaz ve Karaca, 2008) (Wheeler, 1981) ve etkili bir eğitim ortamında Koruyucu Ebeveyn ve Yetişkin ego durumlarının kullanılması vurgulandığından (Akbağ ve Deniz, 2003;Keçeci, 2007b), öğretmenlerin çalgı derslerinde bu ego durumlarına sık başvurmaları önerilebilir. Wheeler (1981) tarafından çalgı öğrenmede disiplin için tavsiye edilen, Akbağ ve Deniz'in (2003) Freed (1971Freed ( , 1976'in çocuk ve gençleri anlamaya, yaşa özgü ihtiyaçlarını betimlemeye, TA bağlamında iletişime ilişkin özelliklerini ve durumlarını ortaya koymaya yardımcı olacak çalışmalarından yararlanılabilir. Bu bağlamda; öğrencilere olumlu alışkanlıklar kazandırmak üzere, çalgı pedagogları ve TA terapistleri ile ortak araştırma projeleri geliştirilebilir.…”
Section: öğRetmenlerin Bazı Sosyo-demografik öZellikleri Ve Ego Durumunclassified