The Red Detachment of Women: Resenting, Regendering, Remembering

Chi, Robert

doi:10.1007/978-1-349-92280-2_25

Cited by 5 publications

(1 citation statement)

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“…Melodrama is used to make norms, facilitate transitions, establish new orders. It is in fact is a critical mode of action in sites in Asia, where the nation is constructed through conceptualizations of women, family, and socialist realist regulations about personal and sentimental expression (see Dissanayake, 1993;Chi, 2003;McHugh and Abelmann, 2005;Zwickler, 2006;Rofel, 2007;Ito, 2008). Within renovation Vietnam, melodrama offers coherence and totality to a diffuse system mediating socialist ideology, capitalist values, and state interventionism by negotiating relations between the personal and political.…”

Section: Between Socialism and Market Reformmentioning

confidence: 98%

Neoliberalism and Global Theatres

Nielsen¹,

Ybarra²

2012

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Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations.International in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the panoply of performances that make up the global surround. The series embraces 'culture' which is institutional as well as improvised, underground or alternate, and treats 'performance' as either intercultural or transnational as well as intracultural within nations.

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Section: Between Socialism and Market Reformmentioning

confidence: 98%