1988
DOI: 10.1086/448450
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The Reality of Representation: Between Marx and Balzac

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Cited by 28 publications
(3 citation statements)
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“…Other admirers argue that this text anticipates later discourse-theoretical insights into the performativity of language, the discursive constitution of identities and interests, and their role in shaping the forms and terms of political struggle (Fairclough & Graham, 2002;Jessop, 2002;Petrey, 1988;Stallybrass, 1990).…”
Section: The Eighteenth Brumaire: Discourse and The Politicalmentioning
confidence: 96%
“…Other admirers argue that this text anticipates later discourse-theoretical insights into the performativity of language, the discursive constitution of identities and interests, and their role in shaping the forms and terms of political struggle (Fairclough & Graham, 2002;Jessop, 2002;Petrey, 1988;Stallybrass, 1990).…”
Section: The Eighteenth Brumaire: Discourse and The Politicalmentioning
confidence: 96%
“…And for yet others, this text illustrates the great extent to which Marx anticipated subsequent discourse-theoretical insights into the performative nature of language, the discursive constitution of identities and interests, and their role in shaping the forms and terms of political struggle. For Marx interpreted politics in The Eighteenth Brumaire as formative rather than superstructural, performative rather than reflective (Petrey 1988;Stallybrass 1990).…”
Section: Bob Jessopmentioning
confidence: 99%
“…Marx, too, stresses the theatricality of politics not only as metaphor but also as a self-conscious political practice on the part of political actors as they sought to persuade and impress their audience by adopting character masks and roles from the historical past and/or from a dramatic repertoire. And, on the other hand, Marx himself had a solid grounding in ancient and modern philosophies of literature and drama, their theory and history, and an immense range of what he and Engels described in the Communist Manifesto as 'world literature ' (see, in general, Prawer 1978; and, on The Eighteenth Brumaire in particular, Petrey 1988, Riquelme 1980, Rose 1978Stallybrass 1998;and White 1973). This is reflected in his passionate use of parody as a mode of emplotment to ridicule the two Bonapartes.…”
Section: The Political Stagementioning
confidence: 99%