2017
DOI: 10.1162/tneq_a_00585
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The “Quietude of Conscience” and the Magnetism of Sound: Listening to Nathaniel Hawthorne'sThe House of the Seven Gables

Abstract: In The House of the Seven Gables Nathaniel Hawthorne employs a soundscape particularly attuned to the modern dissonances and spiritual soundings of antebellum America. His novel interrogates the impact of these auditory-acoustic structures on constructions of the self, ultimately revealing the politics of audibility emerging in the nineteenth century.

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“…The scenario remains until the second visit of the little boy for another Jim Crow. After Miss Hepzibah Pyncheon takes the cent, everything becomes utmost different (Bechtold, 2017). She has no longer a lady, "but simply Hepzibah Pyncheon, a forlorn old maid, and keeper of a cent-shop!…”
Section: Alienation Of Everyday Life By Capitalist Ideologymentioning
confidence: 99%
“…The scenario remains until the second visit of the little boy for another Jim Crow. After Miss Hepzibah Pyncheon takes the cent, everything becomes utmost different (Bechtold, 2017). She has no longer a lady, "but simply Hepzibah Pyncheon, a forlorn old maid, and keeper of a cent-shop!…”
Section: Alienation Of Everyday Life By Capitalist Ideologymentioning
confidence: 99%