The Pulcinella Diagnostic Project: Introduction to the Study of the Performances of Close-Range Diagnostics Targeted to a Wooden Physical Twin of a Carnival Historical Mask

Piroddi, Luca; Catapano, Ilaria; Colica, Emanuele; D’Amico, Sebastiano; Galone, Luciano; Gargiulo, Giuliano; Сфарра, Стефано

doi:10.1007/978-3-031-10592-0_37

Cited by 1 publication

(2 citation statements)

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“…In the field of cultural heritage, IRT is used frequently to investigate both large objects, including monuments [37], portions of historical buildings [38] and ancient bridges [39], and small objects, such as books and documents, archaeological findings and artwork [40]. Regarding the latter category, interesting reviews are given in [41][42][43].…”

Section: Infrared Reflectography (Irr) Photography (Irp) and Thermogr...mentioning

confidence: 99%

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Imaging Cultural Heritage at Different Scales: Part I, the Micro-Scale (Manufacts)

et al. 2023

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Applications of non-invasive sensing techniques to investigate the internal structure and surface of precious and delicate objects represent a very important and consolidated research field in the scientific domain of cultural heritage knowledge and conservation. The present article is the first of three reviews focused on contact and non-contact imaging techniques applied to surveying cultural heritage at micro- (i.e., manufacts), meso- (sites) and macro-scales (landscapes). The capability to infer variations in geometrical and physical properties across the inspected surfaces or volumes is the unifying factor of these techniques, allowing scientists to discover new historical sites or to image their spatial extent and material features at different scales, from landscape to artifact. This first part concentrates on the micro-scale, i.e., inspection, study and characterization of small objects (ancient papers, paintings, statues, archaeological findings, architectural elements, etc.) from surface to internal properties.

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Section: Infrared Reflectography (Irr) Photography (Irp) and Thermogr...mentioning

confidence: 99%

“…The collaborative use of different technologies makes it possible to gather different pieces of information about the same object and, thus, it increases knowledge of the artwork history, from its realization phase to its current conservation state [19,40,[82][83][84].…”

Section: Integrated Techniquesmentioning

confidence: 99%