Abstract:The development of the interdisciplinary areas of cognitive, affective and action neurosciences contributes to the identification of neurobiological bases of conscious experience. The structure of consciousness was philosophically conceived a century ago (HUSSERL, 1913) as consisting of a subjective pole, the bearer of experiences, and an objective pole composed of experienced contents. In more recent formulations, Nagel (1974) refers to a “point of view”, in which qualitative experiences are anchored, while V… Show more
“…Given the inability of IIT to clearly demarcate systems (or subsystems) that don't have consciousness from those that do, Merker et al suggest an alternative measure of what it is like to have a conscious “point of view” employing a form of projective geometry that specifies the “point-horizon” structure of human consciousness (Rudrauf et al, 2017). As with the other theories that focus on the projected, three-dimensional nature of conscious phenomenology (e.g., Lehar, 2003; Pereira, 2018; Revonsuo, 2006; Trehub, 2007; Velmans, 1990, 2008, 2009), this specification of self-location within a three-dimensional phenomenal world captures a central, but often ignored feature of human conscious phenomenology that has many important consequences for understanding consciousness (cf. Velmans, 2009).…”
Merker, Williford, and Rudrauf argue persuasively that integrated information is not identical to or sufficient for consciousness, and that projective geometries more closely formalize the spatial features of conscious phenomenology. However, these too are not identical to or sufficient for consciousness. Although such third-person specifiable functional theories can describe the many forms of consciousness, they cannot account for its existence.
“…Given the inability of IIT to clearly demarcate systems (or subsystems) that don't have consciousness from those that do, Merker et al suggest an alternative measure of what it is like to have a conscious “point of view” employing a form of projective geometry that specifies the “point-horizon” structure of human consciousness (Rudrauf et al, 2017). As with the other theories that focus on the projected, three-dimensional nature of conscious phenomenology (e.g., Lehar, 2003; Pereira, 2018; Revonsuo, 2006; Trehub, 2007; Velmans, 1990, 2008, 2009), this specification of self-location within a three-dimensional phenomenal world captures a central, but often ignored feature of human conscious phenomenology that has many important consequences for understanding consciousness (cf. Velmans, 2009).…”
Merker, Williford, and Rudrauf argue persuasively that integrated information is not identical to or sufficient for consciousness, and that projective geometries more closely formalize the spatial features of conscious phenomenology. However, these too are not identical to or sufficient for consciousness. Although such third-person specifiable functional theories can describe the many forms of consciousness, they cannot account for its existence.
“…The transition from respondent to agent required the organism to transform predetermined, inwardly conceived and directed acts into intentional behavior targeting objects located in a threedimensional space outside its body. To experience the world as a phenomenological space within which the organism can move and interact, an agent must feel that its experiences are presented to, not simply present within, itself (e.g., James, 1904;Pereira, 2018;Pribram, 2004;Rudrauf et al, 2017;Velmans, 2007Velmans, , 2009.…”
Section: A Stranger In a Strange Landmentioning
confidence: 99%
“…To fashion a world external to the organism, neural activities must be phenomenologically projected onto the space outside the brain in which they originate (e.g., Pribram, 2004;Velmans, 2007). This process-"phenomenal projection" (for discussion, see Pereira, 2018;Pribram, 2004;Velmans, 2007Velmans, , 2009 8 , served as both the product of and occasion for observation of the physical world. To experience a world consisting of objects and their relations requires those objects be fitted with properties in virtue of which they can be individuated.…”
The explanatory challenge of sentience is known as the “hard problem of consciousness”: How does subjective experience arise from physical objects and their relations? Despite some optimistic claims, the perennial struggle with this question shows little evidence of imminent resolution. In this article, I focus on the “why” rather than on the “how” of sentience. Specifically, why did sentience evolve in organic life-forms? From an evolutionary perspective, this question can be framed: “What adaptive problem(s) did organisms face in their evolutionary past and how were those challenges met? I argue that sentience was a critical component of the adaptive solution (i.e., adopting an agentic stance) to increasingly complex and unpredictable demands placed on vertebrates approximately 500 million years ago (the so-called Cambrian explosion). One consequence of taking an agentic stance is that it freed the organism from its neural moorings, positioning it within phenomenal space outside its brain.
“…It introduces the role of dynamic patterns in a discussion that is still pretty much focused on how brain networks are stimulated by music. 5 Let us elaborate on this in the next sections.…”
Sentience, defined as the capacity of feeling, for example, to experience basic sensations such as hunger, thirst and other types of qualitative mental states, is a psychobiological phenomenon that involves dynamic patterns of electrochemical (below 1Hz) and electromagnetic (above 1Hz) waves in living systems. The science we have called Sentiomics studies unconscious dynamic patterns in the brain that define the capacity for feeling. This paper discusses the explanation of creative processes based on unconscious patterns that combine and constructively interfere, generating a conscious output experienced in the living system's first-person perspective. We claim that the Sentiomics approach to wave interferences helps to explain creative intuition, artistic creativity, the formation of dreams, and related phenomena. We raise a hypothesisbased on available evidence, to be experimentally testedthat the dominance of slower synchronized oscillatory frequencies (such as Delta, Theta and Alpha bands) in scalp electroencephalogram spectra makes more room for constructive electrochemical interferences supporting creativity. This research points to the dynamism of the unconscious mind, since such interferences happen without the need of conscious control but are influenced by the degree of attention focusing. Once those dynamic processes are understood, they can be used to enrich mental life, boost creativity in general, and improve decision-making processes.
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