1989
DOI: 10.2307/2905052
|View full text |Cite
|
Sign up to set email alerts
|

The Professor's Novel: David Lodge's Small World

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
1
0

Year Published

2000
2000
2024
2024

Publication Types

Select...
2
2

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(1 citation statement)
references
References 0 publications
0
1
0
Order By: Relevance
“…This should not come as a surprise since, as Sanford Pinsker (1999) stresses, even in academic novels taking place at a campus, one cannot help to notice that they are examples of a genre "in which professors are hardly ever seen preparing lectures, teaching classes, or grading papers" (442). Siegfried Mews (1989) offers a canonized academic novel as his example of the academic novel leaving university campuses behind: David Lodge's Small World: An Academic Romance (1984), taking place mainly at conferences. One could also mention Malcolm Bradbury's "novella Cuts (1987) which […] explores, with humour, but with an equal sense of doom, the traumatic experience of a faculty member who is cut off from his environment by economic necessity and unwillingly enters the world of television and hard finance" (Petraşcu 2015: 63).…”
mentioning
confidence: 99%
“…This should not come as a surprise since, as Sanford Pinsker (1999) stresses, even in academic novels taking place at a campus, one cannot help to notice that they are examples of a genre "in which professors are hardly ever seen preparing lectures, teaching classes, or grading papers" (442). Siegfried Mews (1989) offers a canonized academic novel as his example of the academic novel leaving university campuses behind: David Lodge's Small World: An Academic Romance (1984), taking place mainly at conferences. One could also mention Malcolm Bradbury's "novella Cuts (1987) which […] explores, with humour, but with an equal sense of doom, the traumatic experience of a faculty member who is cut off from his environment by economic necessity and unwillingly enters the world of television and hard finance" (Petraşcu 2015: 63).…”
mentioning
confidence: 99%