2005
DOI: 10.1521/soco.2005.23.3.242
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The Process of Becoming Suspicious of Ulterior Motives

Abstract: We examined the process of becoming suspicious and discovering ulterior motives. Participants read about a likable behavior, then sequentially received ten cues about potential ulterior motives of the actor. Participants were asked to think aloud while they were reading. Their thoughts were coded. We expected that the general impression of the actor would gradually become more negative, whereas suspicion would first increase and later decrease, concomitant with increased certainty that ulterior motives were in… Show more

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Cited by 25 publications
(20 citation statements)
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References 18 publications
(25 reference statements)
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“…When in a distrust state of mind, people are not likely to stop at simultaneously considering any given information to be both true and untrue, but to proceed by thinking about possible alternative scenarios in the event that the given information is misleading (see e.g., Hilton et al, 1993). This notion is consistent with research showing that people do not only elaborate more when suspicious (Chiappe et al, 2004;Hilton et al, 1993;Schul, 1993;Schul et al, 1996), but that they do so by entertaining multiple interpretations of the motives of a potentially deceitful person (Marchand & Vonk, 2005) or of potentially invalid information rather than elaborating intensely on that information within only one interpretative frame (Fein et al, 1990;Schul et al, 1996). The ability to think about multiple alternatives, in turn, is a central aspect of creative thinking and the basis for performing well in so-called divergent thinking tasks-tasks that are widely used for measuring creativity.…”
Section: The Creative Mind Of Suspicious Spiritssupporting
confidence: 69%
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“…When in a distrust state of mind, people are not likely to stop at simultaneously considering any given information to be both true and untrue, but to proceed by thinking about possible alternative scenarios in the event that the given information is misleading (see e.g., Hilton et al, 1993). This notion is consistent with research showing that people do not only elaborate more when suspicious (Chiappe et al, 2004;Hilton et al, 1993;Schul, 1993;Schul et al, 1996), but that they do so by entertaining multiple interpretations of the motives of a potentially deceitful person (Marchand & Vonk, 2005) or of potentially invalid information rather than elaborating intensely on that information within only one interpretative frame (Fein et al, 1990;Schul et al, 1996). The ability to think about multiple alternatives, in turn, is a central aspect of creative thinking and the basis for performing well in so-called divergent thinking tasks-tasks that are widely used for measuring creativity.…”
Section: The Creative Mind Of Suspicious Spiritssupporting
confidence: 69%
“…Rather, there seems to be a continuum ranging from more or less trust to more or less distrust, respectively. States of distrust (and trust) can thus differ with regard to their intensity and the ambiguity involved (Marchand & Vonk, 2005;Sinaceur, 2010).…”
Section: Distrust-a Double-edged Swordmentioning
confidence: 99%
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“…Incidentally, this further points to suspicion departing from distrust since distrust leads to being competitive (see Deutsch, 1958;Kimmel, Pruitt, Magenau, Konar-Goldband, & Carnevale, 1980 replaced by distrust or trust. In addition, suspicion might induce (see Marchand & Vonk, 2005) distrust in the target of the suspicious perceiver over time. Nonetheless, the manipulation of suspicion as an initial state allowed causal inferences, and was consistent with other research (Kimmel et al, 1980;also, Galinsky et al, 2008;Sinaceur & Tiedens, 2006).…”
Section: Discussionmentioning
confidence: 99%