2010
DOI: 10.1080/00335631003796651
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The Presidential Sound: From Orotund to Instructional Speech, 1892–1912

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Cited by 4 publications
(2 citation statements)
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“…Showing his alpha male persona, Peter extends his arms to embrace his audience, declaring that he will "change the world." As aggressive oratorical style is understood as a historical manifestation of dominance (Goodale, 2010;Zaeske, 2010;Sheeler & Anderson, 2014), Peter's rough, reverberatingly deep and gargling voice raises in pitch and volume during his ongoing exclamations as he touts his technological and evolutionary progress as an innovator. His delivery resembles the war rally speech pattern of other aggressive battle orations in film where male characters pace back and forth and scream for violent action against enemies (Gibson, 1995;Jackson, 2003).…”
Section: The Physicality Of Evolutionmentioning
confidence: 99%
“…Showing his alpha male persona, Peter extends his arms to embrace his audience, declaring that he will "change the world." As aggressive oratorical style is understood as a historical manifestation of dominance (Goodale, 2010;Zaeske, 2010;Sheeler & Anderson, 2014), Peter's rough, reverberatingly deep and gargling voice raises in pitch and volume during his ongoing exclamations as he touts his technological and evolutionary progress as an innovator. His delivery resembles the war rally speech pattern of other aggressive battle orations in film where male characters pace back and forth and scream for violent action against enemies (Gibson, 1995;Jackson, 2003).…”
Section: The Physicality Of Evolutionmentioning
confidence: 99%
“…Sound. Goodale (2010) reminds communication scholars that sound is a central concern to the discipline. The way music sounds is central to understanding the effectiveness of the message.…”
Section: Music As Rhetorical Toolmentioning
confidence: 99%