2002
DOI: 10.1006/jsvi.2002.5268
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The Preferred Initial Time Delay Gap and Inter-Aural Cross Correlation for a Javanese Gamelan Performance Hall

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Cited by 6 publications
(2 citation statements)
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“…Notation is only for documentation when later the percussion is forgotten or lost. The real interpretation lies with the artist or composer (Tjokronegoro et al, 2017;Sarwono & Lam, 2002;Jondya & Iswanto, 2017).…”
Section: B) System Of Notation and Scalesmentioning
confidence: 99%
“…Notation is only for documentation when later the percussion is forgotten or lost. The real interpretation lies with the artist or composer (Tjokronegoro et al, 2017;Sarwono & Lam, 2002;Jondya & Iswanto, 2017).…”
Section: B) System Of Notation and Scalesmentioning
confidence: 99%
“…However, The existing studies show that music's performing effect has clear relation with types of music,for instance,Kuhl has found that classic music and romantic music have different preference reverberation times in western musics [1],and Ando has pointed out that subjective preference values for reverberation time and initial time delay gap depend on types of music [2]. After doing lots of studies on Indonesia national music, J. Sarwono from Indonesia also pointed out that some objective acoustics parameters's preference values for Indonesia national music performed in concert hall are different from the ones for western music [3]. Thus,for Chinese national music with strong characteristics, its performing hall should have special requests for objective acoustics parameters,in the past several years, study results from build acoustics laboratory of SCUT have shown it [4].…”
Section: Introductionmentioning
confidence: 99%