The ‘Placing of Memory’ in contemporary Catalan theatre

Buffery, Helena

doi:10.1080/10486800701411303

Cited by 4 publications

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“…) Beyond Finland, an international conference entitled "The Past Is Still to Change: Performing History from 1945 to the Present," held in 2009 at the Vytautas Magnus University in Kaunas, Lithuania, offered a range of perspectives on the ways in which theatre and performance artists in Eastern Europe and the Baltic region in particular have engaged the legacy of the Second World War and the Cold War. In the south of the continent, scholars have addressed theatrical representations of the memories of war and violence, specifically in the context of the Spanish Civil War (see, for instance, Orozco, 2007;Buffery, 2007;Duprey-Colon, 2010). Finally, "the ultimate act in the century-long European drama -or, rather, tragedy -of exterminations, expulsions and exchanges (of populations, that is)," the wars in Yugoslavia in the 1990s also revived painful memories of the Second World War (Müller, 2012: 237).…”

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Performing European Memories

Gluhovic

2013

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Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations.Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the panoply of performances that make up the global surround. The series embraces 'Culture' which is institutional as well as improvised, underground or alternate, and treats 'Performance' as either intercultural or transnational as well as intracultural within nations.

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confidence: 99%