2017
DOI: 10.1080/08989575.2017.1339996
|View full text |Cite
|
Sign up to set email alerts
|

The Placing of Displaced Lives: Refugee Narratives

Abstract: Monica (2017) The Placing of Displaced Lives: Refugee Narratives. a/b: Auto/Biography Studies, 32 (3). pp. 625-628. ISSN 0898-9575. Abstract:This Forum is concerned with refugee life writing. It explores the discourses that shape public perception of forced migration and sheds light on the intricate relationship between the collective fate of refugees and the uniqueness of each life lived in transit.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
0
0

Year Published

2018
2018
2023
2023

Publication Types

Select...
3
1
1

Relationship

0
5

Authors

Journals

citations
Cited by 5 publications
(1 citation statement)
references
References 0 publications
0
0
0
Order By: Relevance
“…What narrative forms besides stories can communicate experience and restore subjectivity? 32 It is doubtful whether these questions are best answered by ascribing fiction greater counter-discursive potential than life writing. For Brant, Heinrich, and Soeting, the transformative power of narrating refugees' experiences resides elsewhere: in the constitution of an intrinsically dialogical process, an exchange in which the recipient of the story does not remain a passive consumer but in which they participate as active respondents -much in the way Ali Smith envisages the exchange of stories between refugees and non-refugees.…”
Section: Critical Voicesmentioning
confidence: 99%
“…What narrative forms besides stories can communicate experience and restore subjectivity? 32 It is doubtful whether these questions are best answered by ascribing fiction greater counter-discursive potential than life writing. For Brant, Heinrich, and Soeting, the transformative power of narrating refugees' experiences resides elsewhere: in the constitution of an intrinsically dialogical process, an exchange in which the recipient of the story does not remain a passive consumer but in which they participate as active respondents -much in the way Ali Smith envisages the exchange of stories between refugees and non-refugees.…”
Section: Critical Voicesmentioning
confidence: 99%