The Photobook

Bello, Patrizia Di; Wilson, Clive; Zamir, Shamoon

doi:10.4324/9781003103998

2020

DOI: 10.4324/9781003103998

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The Photobook

Patrizia Di Bello¹,

Clive Wilson²,

Shamoon Zamir³

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2024

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Cited by 3 publications

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“…Accompanying the photographs is a long prose poem by Cleveland that helps structure the photographs into a narrative and bring out their intended meaning. As noted by Di Bello and Zamir, as well as Campany, 21 the interaction of text and photographs is not covered in Badger and Parr's definition of a photobook as one in which the primary message is conveyed by photographs. But many well-known photobooks are exactly works John Pascoe, The Mountains, the Bush and the Sea: A Photographic Report, 1950, pp.30-31.…”

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confidence: 99%

Pictures on a Page: Towards a History of the Photobook in New Zealand

McCredie¹

2018

BackStory

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The term ‘photobook’ is very recent, yet numerous studies now survey histories of its development right back to the invention of photography. This article examines photographic books in New Zealand up to 1970 and concurrently explores definitions of the ‘photobook’ and whether, or to what extent, they can be applied to any of these publications. It considers nineteenth century albums, early scientific publications, and in particular, the books of scenery that have become such a stock item of New Zealand photographic book production. It also looks at a handful of books in the 1950s and 1960s that reacted against the scenic, as well as books of the 1960s inspired by photojournalism.

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confidence: 99%

Pictures on a Page: Towards a History of the Photobook in New Zealand

McCredie¹

2018

BackStory

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Introductory note

Serra

André

Marques

2017

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Photobook: an integrative literature review. Narrative, design and publishing

Nery,

Silva

2024

R. G. Secr.

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The Photobook is an important support as a product that encompasses a photographer's photographic production in different ways (FERNÁNDEZ, 2011). This article raises the following question: how to understand what a photobook is, after all, what makes a photobook a photobook? The justification is because by better understanding the photobook, the process of creating a photographic book from a transdisciplinary perspective becomes more complete, making an impact on the field in question, on the artistic field and on the publishing market. To address this topic, the article seeks to explain the production of photobooks, that is, their development based on an integrative literature review (TORRACO, 2005). To this end, the objective here is to survey the stages of photobook production covering narrative, image sequencing, design and publication. In this way, the article aims to elucidate that photobooks are a support that allows the development of a photographic project that aims to tell a story based on consistent methodologies with different professionals, which allows us to conclude that the use of photography goes beyond the beauty of the images, becoming the protagonist in narratives immortalized in book format.

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The Photobook

Cited by 3 publications

References 0 publications

Pictures on a Page: Towards a History of the Photobook in New Zealand

Pictures on a Page: Towards a History of the Photobook in New Zealand

Introductory note

Photobook: an integrative literature review. Narrative, design and publishing

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