The Periphery as a Complex and the Multiple Canon: Rereading Moni Stǎnilǎ’s Poetry

Abstract

The present paper aims for an analysis on how the poems written by Moni Stǎnilǎ are evolving in relation to the periphery complex. A close reading approach highlights the dynamic reconfigurations of the aesthetic horizons, ready to break down canons and to suggest others, in a continuous refurbishment of images and functions that convert their original marks in order to create a world linked to the subject reconstruction.