“…Consistent with the style of the exterior, these were carved in a muscular, Doric style, and represented the triumphs of the Athenians over their regional rivals, and those of their gods over animal passions and chaotic chthonic forces. Here already, on the Doric exterior, the Greeks and their achievements are being placed cosmopolitically almost on a par with those of the gods that they worshipped (Tiverios, 1982; Rhodes, 2016). However, as one passed into the shadowy interior, but before entering the sacred space of the cella , one would have seen overhead the brightly painted frieze, which was sculpted in the Ionic style, more subtle and complex in its presentation of humans, gods and the relations between them (Mark, 1984).…”