The Parisian Chanson: Problems of Style and Terminology

Bernstein, Lawrence F.

doi:10.2307/830996

Journal of the American Musicological Society

1978

DOI: 10.2307/830996

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The Parisian Chanson: Problems of Style and Terminology

Lawrence F. Bernstein¹

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A Florentine chansonnier of the early sixteenth century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi xix 117

Bernstein

1986

Early Music History

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The legacy of Pierre Attaingnant, Royal Printer of Music, has done much to clarify our knowledge of the French polyphonic chanson during the first half of the sixteenth century. The great Parisian printer's invention and introduction of music printing with movable type in 1528 contributed to an increasing coalescence in the style of the chansons composed in France between 1530 and 1550. By midcentury, composers at the French royal court and throughout the provinces, too, routinely composed what came to be known as Parisian chansons, the genre most clearly exemplified in the works of Claudin de Sermisy.

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A Florentine chansonnier of the early sixteenth century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi xix 117

Bernstein

1986

Early Music History

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Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547)

Brobeck¹

1995

Journal of the American Musicological Society

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Recently uncovered archival and historical documents suggest new linkages between the musical patronage of the French royal court and the development of the polyphonic repertory of Francis I's personal chapel as represented in the publications of Pierre Attaingnant. The union in 1514 of the chapels of Anne of Brittany and Louis XII made possible a reorganization of the Chapelle du roi into discrete groups of singers responsible for either the chanting of the chapel's public liturgy or the performance of polyphonic music. As early as the 1490s, however, the French kings began to favor the celebration of private Low Masses en musique, a development seemingly reflected in the increased production of motets by Claudin de Sermisy and other royal court composers.

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The Early Chanson Anthologies Published by Pierre Attaingnant (1528-1530)

Adams¹

1987

Journal of Musicology

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The Parisian Chanson: Problems of Style and Terminology

Cited by 4 publications

References 4 publications

A Florentine chansonnier of the early sixteenth century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi xix 117

A Florentine chansonnier of the early sixteenth century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi xix 117

Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547)

The Early Chanson Anthologies Published by Pierre Attaingnant (1528-1530)

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