The Oxford Handbook of the Archaeology and Anthropology of Rock Art

Abstract

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs. Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species’ existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art’s regional variability, its antiquity, and how it is meaningful to people in the recent past and today – including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting edge methods of rock art analysis for the student and professional researcher alike.

Histories of Australian Rock Art Research

“…Australia's Kimberley is acknowledged globally for the quantity and diversity of its rock art (Bindon 1997;Clottes 2002;David and McNiven 2018;McDonald and Veth 2012), some of which are still being produced and curated. Senior Traditional Owner Yornadaiyn Woolagoodja (2020:170)…”

Histories of rock art research in Western Australia’s Kimberley, 1838–2000

“…Australia's Kimberley is acknowledged globally for the quantity and diversity of its rock art (Bindon 1997;Clottes 2002;David and McNiven 2018;McDonald and Veth 2012), some of which are still being produced and curated. Senior Traditional Owner Yornadaiyn Woolagoodja (2020:170)…”

Histories of Australian Rock Art Research

“…Australia's Kimberley is acknowledged globally for the quantity and diversity of its rock art (Bindon 1997;Clottes 2002;David and McNiven 2018;McDonald and Veth 2012), some of which are still being produced and curated. Senior Traditional Owner Yornadaiyn Woolagoodja (2020:170)…”