The Organ Music of J. S. Bach

Williams, Peter

doi:10.1017/cbo9780511481871

Cited by 39 publications

(5 citation statements)

References 97 publications

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“…As emerged from our autoethnographic data, the ways in which the various dimensions of identity work helped in coping with, and managing such disruption and threat were highly significant. Given the current lack of research on non-elite, amateur, and older sports participants who engage in sport as serious leisure, and specifically in relation to the role of remedial self-help (Williams, 2003) in injury management, it is hoped that in a small way this article addresses the lacuna.…”

Section: Discussion: Restoration Transformation?mentioning

confidence: 99%

‘Working Out’ Identity: Distance Runners and the Management of Disrupted Identity

2007

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Section: Discussion: Restoration Transformation?mentioning

confidence: 99%

‘Working Out’ Identity: Distance Runners and the Management of Disrupted Identity

2007

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“…These events are not exclusive of the Earth but have also been predicted (Dycus 1969;Adolfsson, Gustafson & Murray 1996;Christou & Beurle 1999;Bland & Smith 2000;Christou 2004Christou , 2010Domokos et al 2007;Christou, Vaubaillon & Withers 2008;Christou et al 2012) and observed (Selsis et al 2005;Christou, Vaubaillon & Withers 2007;Hueso et al 2010;Daubar et al 2013) in other planets. The connection between asteroidal debris and bolides was first proposed by Halliday (1987), further explored by Williams (2002Williams ( , 2004 and Jenniskens (2006) and first confirmed observationally by Trigo-Rodríguez et al (2007). Since then, new examples of bolides associated with asteroids have been reported (Trigo-Rodríguez et al 2009Madiedo et al 2013).…”

Section: Introductionmentioning

confidence: 93%

The Chelyabinsk superbolide: a fragment of asteroid 2011 EO40?

Marcos

2013

Monthly Notices of the Royal Astronomical Society: Letters

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Bright fireballs or bolides are caused by meteoroids entering the Earth's atmosphere at high speed. Some have a cometary origin, a few may have originated within the Venus-Earth-Mars region as a result of massive impacts in the remote past but a relevant fraction is likely the result of the break-up of asteroids. Disrupted asteroids produce clusters of fragments or asteroid families and meteoroid streams. Linking a bolide to a certain asteroid family may help to understand its origin and pre-impact dynamical evolution. On 2013 February 15, a superbolide was observed in the skies near Chelyabinsk, Russia. Such a meteor could be the result of the decay of an asteroid and here we explore this possibility applying a multistep approach. First, we use available data and Monte Carlo optimization (validated using 2008 TC 3 as template) to obtain a robust solution for the pre-impact orbit of the Chelyabinsk impactor (a = 1.62 au, e = 0.53, i = 3. • 82, Ω = 326. • 41 and ω = 109. • 44). Then, we use this most probable orbit and numerical analysis to single out candidates for membership in, what we call, the Chelyabinsk asteroid family. Finally, we perform N -body simulations to either confirm or reject any dynamical connection between candidates and impactor. We find reliable statistical evidence on the existence of the Chelyabinsk cluster. It appears to include multiple small asteroids and two relatively large members: 2007 BD 7 and 2011 EO 40 . The most probable parent body for the Chelyabinsk superbolide is 2011 EO 40 . The orbits of these objects are quite perturbed as they experience close encounters not only with the Earth-Moon system but also with Venus, Mars and Ceres. Under such conditions, the cluster cannot be older than about 20-40 kyr.

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“…The study of musical material in this article is based on: l genre-style analysis, as well as on the theoretical positions of musicologists (Chapin, К., 2010;Mann, A., 1971;1987;McGahie, D. Р., 2006;Pesic, P., 2017;Williams, Р., 2003); l issues of studying polyphony (i.e. many voices) in Chinese musical folklore (Fan Zuyin, 2004;Li Hong, 2015) l specifics of integration processes in Chinese piano art (Bai Ye, 2018), l features of the fret organization of Chinese piano music (Peng Cheng, 2006); l research of professional composer creativity of Chinese creators (Sun Weibo, 2006;Wu Na, 2009); l questions of performance implementations based on the development of the performing principles of polyphony Ying Jiang (2019).…”

Section: Data Collection Tools-documentsmentioning

confidence: 99%

Preludes and fugues for piano in the polyphonic works of Chinese composers

Chernyavska

ZHANG

2021

Rast Müzikoloji Dergisi

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The objective of the study is to identify the role of the small cycle "Prelude and Fugue" in the piano work of Chinese composers in the field of polyphonic genres, to consider the most striking examples of Preludes and fugues from the standpoint of the interpretation of the genre, the use of musical and expressive means, performing implementation. The research methodology is based on an integrated approach that combines theoretical methods with historical ones, reflecting the evolution of musical thinking. All the issues raised in the process of analyzing fugues are considered in combination with certain artistic tasks generated by the internal content of the work. The analysis of piano Preludes and fugues by composers Ding Shande, Chen Zhi Ming, Wang Lisan, Rao Yu Yang, Lin Hua made it possible to deduce a number of features of their construction and musical language in connection with the issues of form formation, thematic content, tonal lighting, rhythmic features, polyphonic ways of development and qualitative transformation of the material. In the Preludes and fugues of Chinese composers, essential and fundamental factors come into close interaction: deep connections coming from the polyphony of the "strict style" and the fugues of J. S. Bach, the organic implementation of the principles of national folk melos and the polyphonic warehouse of instrumental folklore, innovation rooted in the incessant search for new means of expression and enrichment of the musical language. The latter is determined by the content of the composers' music, its fullness with a variety of moods, experiences, reflections on the meaning of human life, about our complex century, saturated with the most serious events and phenomena. In the fusion of these qualities, a subjective moment plays a primary role: the uniqueness of the composer's creative individuality, which leaves a certain imprint on all the compositions -in close-up and in detail.

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The Organ Music of J. S. Bach

Cited by 39 publications

References 97 publications

‘Working Out’ Identity: Distance Runners and the Management of Disrupted Identity

‘Working Out’ Identity: Distance Runners and the Management of Disrupted Identity

The Chelyabinsk superbolide: a fragment of asteroid 2011 EO40?

Preludes and fugues for piano in the polyphonic works of Chinese composers

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