“…In the post-Bork era, the hearings have become, in the words of Senator Arlen Specter, 'a subtle minuet, with the nominee answering as many questions as he thinks necessary in order to be confirmed.'" 16 Accepting this rhythmic performance analogy, Eisgruber sees the dance as both "formal and highly choreographed, with the nominee knowing just how to match each move the senators make." 17 In short, successful nominees today must master the art of speaking competently throughout, yet without revealing anything of substance about their constitutional philosophy.…”