Harry Hopkins 1999
DOI: 10.1007/978-1-137-10580-6_5
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Cited by 4 publications
(8 citation statements)
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“…While Bree in Crank (Hopkins, 2004 ) does not appear as wealthy as Natalie, she shows disdain for people who are not affluent. Throughout the novel she moves between the middle-class setting of her mother’s house and the working-class setting of her father’s.…”
Section: Resultsmentioning
confidence: 99%
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“…While Bree in Crank (Hopkins, 2004 ) does not appear as wealthy as Natalie, she shows disdain for people who are not affluent. Throughout the novel she moves between the middle-class setting of her mother’s house and the working-class setting of her father’s.…”
Section: Resultsmentioning
confidence: 99%
“…Throughout the novel she moves between the middle-class setting of her mother’s house and the working-class setting of her father’s. In the beginning of the novel, she dreads visiting her father because she “had zero desire to see how the working class lived” (Hopkins, 2004 , p. 29) and describes him as living in a “blue collar kingdom” (p. 29). Bree explicitly compares her bedroom at each house, describing the bed at her father’s house as “Bedzilla” with a thin, mildewed mattress and “thrift-store” sheets (p. 59) while her room at her mother’s house is “Pin clean, pretty in mauve… pillow-top mattress to die for” (p. 60).…”
Section: Resultsmentioning
confidence: 99%
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