Abstract:China has forged substantial political and economic relations across Africa since the turn of the new millennium. This essay scrutinises the cultural representations of these relations from the perspectives of popular, locally produced cinemas in both the Chinese and Ethiopian contexts. We argue that cultural readings of the power relations between China and Africa help to nuance the often-over-simplified narratives that posit China as the new America. While Chinese action films set in indistinct African locat… Show more
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