The Narrative Sources of Tawfiq al-Hakim’s Shahrazad: the thousand and one nights

Tawfiq Al-Hakim, The Pioneer of Introduction of Literature into Dramatics

“…All these contributing factors were reanalyzed and examined from a new perspective in order to determine the ideological frontiers of national community and associative circles (al-Hakim, 1999). The main discourse and wrangle was contributed by the ending of the movements of Nahda, Thus, the main conclusion obtained from this is that Tawfiq al-Hakim has a significant position in maintaining true quintessence of literature in terms of tragedy because he kept the religion alive in his dramas and literary figures (Van Leeuwen, 2004). He denied the fact that Islamic cultural civilization has to be ignored in order to understand the essence of Greek mythology.…”

“…Their bachelor sister is using all the bad, evil magic to ruin the life of lovebirds as it was obvious that she was jealous from them. The ending of the novel depicted marriage of the young couple while the heartbroken men in order to get rid of their poor feelings decides to take part in the mutiny of 1913 and unfortunately got arrested and imprisonment for some time (Van Leeuwen, 2004). However, the novel mainly cover events which are not related to main plot of the story.…”

“…Throughout his visit to village the author gave some realistic illustration of life in Egyptian villages going through every minute detail very efficiently and remarkably. He also appealed and tried to raise voice for the working class of Egypt which is mal treated and abused by higher Turkish class as personified by Mushin's mother (Van Leeuwen, 2004). From his philosophical point of view, he kept the inner voice and instincts of heart beyond the boundaries of reasoning and intellectual capacity of an individual.…”