2005
DOI: 10.1111/j.1468-5914.2005.00271.x
|View full text |Cite
|
Sign up to set email alerts
|

The Narrative Self

Abstract: The aim of the present study is to evaluate the postmodern belief that selves are narrative constructions. Four theories, varying in degree of anti‐realism, are presented and discussed. It is concluded that an attractive feature of the narrative approach is that it explains how we achieve a sense of unity. But the main idea, that selves are constituted or created by stories is problematic, like identifying footprints on the beach with the feet that made them.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
10
0

Year Published

2007
2007
2019
2019

Publication Types

Select...
7
2
1

Relationship

0
10

Authors

Journals

citations
Cited by 19 publications
(10 citation statements)
references
References 3 publications
0
10
0
Order By: Relevance
“…They consider the self in the postmodern era erased and dismantled, saturated (Gergen 1991) by the many voices of humankind. The postmodern self is flexible or “protean” (Lifton 1993; Martin 1994), fluid, nonlinear, heterogeneous, multiple, and fragmented, a realm of narrative and discourse rather than a permanent, real thing (Harré 2001; Vollmer 2005). The quest for self‐presentation has replaced the quest for meaning (Tseëlon 1992).…”
mentioning
confidence: 99%
“…They consider the self in the postmodern era erased and dismantled, saturated (Gergen 1991) by the many voices of humankind. The postmodern self is flexible or “protean” (Lifton 1993; Martin 1994), fluid, nonlinear, heterogeneous, multiple, and fragmented, a realm of narrative and discourse rather than a permanent, real thing (Harré 2001; Vollmer 2005). The quest for self‐presentation has replaced the quest for meaning (Tseëlon 1992).…”
mentioning
confidence: 99%
“…In many regards, the concept of ''secret selves'' is similar to the postmodernist notion that identity is mutable, situational, and unstable (Harré 2001;Hillis 1999;Vollmer 2005). This ''disembodied self'' is increasingly realized by the changing nature of social relations via the advent of new communication technologies.…”
Section: Online Communities and ''Real-world'' Embodimentmentioning
confidence: 99%
“…A character gives coherence to a discrete sequence of choices, providing the impression that life is a meaningful whole. At the same time, this narrative biography is a fiction of the brain, and there is a continuous process of adjustment to adapt memories to fit the changes of a narrative identity (Vollmer, ). With that, the brain is constantly executing boundary work, each action and each normative assessment has to be weighed and delegated to either side of the boundary between the I that I am, and the I that I am not.…”
Section: Senses Of the Individual Selfmentioning
confidence: 99%