The Mystery of the Play Experience: Quince’s Questions

Styan, J. L.; Issacharoff, Michael; Jones, Robin F.

doi:10.9783/9781512802870-003

Cited by 3 publications

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“…Methods are most powerful when they grounded in experience (Behar, 1996;Dutton, 2003;Kazubowski-Houston, 2010;Saldaña, 2014). I hope that by evoking the feeling of the play (Styan, 1992), I might inspire other attempts to communicate the drama of everyday life.…”

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confidence: 97%

Inquiry Theatre

Vanover

2015

Qualitative Inquiry

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Inquiry theatre is a form of ethnodrama that investigates core issues raised by interview data and communicates research participants' experience with passion. Audience members work with the research team to read, discuss, and ask questions about verbatim interview texts that are also performed at the session in a reader's theatre format. Dialogue and inquiry deepen audience members' connection to the texts and help them enter imaginatively into research participants' worlds. Suggestions for successful performance and a vivid analysis of the strengths and weakness of the form are offered at the conclusion.

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confidence: 97%

Inquiry Theatre

Vanover

2015

Qualitative Inquiry

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Introduction

Lojek¹

2011

The Spaces of Irish Drama

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Bystander Theology and the Desire to End a Hermeneutic Hegemony

Kahan

2010

Biblical Theology Bulletin: Journal of Bible and Culture

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The parable of the crafty steward in Luke 16:1-8 may be central to Jesus' negotiation of identity and mission, not an impossibility or an embarrassment as many exegetes believe. Received tradition has been unable to access the text adequately, falling short of offering faith communities a suitable hermeneutic that decodes the world of Jesus' contemporaries. This essay approaches the text by introducing bystander theology, which turns to aesthetics, the fine arts, to develop exegetical and theological concepts that embody density, texture, and depth that elucidate how biblical persons can be understood today. The essay advocates that the body of Christ extends not only spatially but also through layers of time. By participating in a biblical encounter as a bystander and exploring biblical actors' frames of reference, biblical worlds may more clearly come into focus.

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The Mystery of the Play Experience: Quince’s Questions

Cited by 3 publications

References 0 publications

Inquiry Theatre

Inquiry Theatre

Introduction

Bystander Theology and the Desire to End a Hermeneutic Hegemony

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