The Music Playlist as a Method of Education Research

Abstract

As technologies are woven deep into the fabric of our postdigital society and universities, there is a need to devise new research methods, and to seek out new kinds of research material, in order to better understand our complex and changing surroundings. One such approach, I argue in this article, involves creating and analysing music playlists as a way of critically exploring the learning spaces and practices of higher education. To make this argument, I describe and discuss the ways that music playlists contributed towards an ethnographic study of undergraduate courses in Architecture and History at a UK university. This involved inviting students to participate in the creation of ‘study playlists’, as I sought to understand how their learning spaces and practices were affected by digital technologies. This approach initially helped to establish rapport and trust with participants, as well as eliciting conversation and interview discussion which surfaced how students use streamed playlists and other digital technologies to negotiate personalised learning spaces. By helping to reveal these and other rituals, the music playlist was shown to work as an ethnographic artefact, while at the same time exposing the postdigital character of the contemporary university.

Postdigital Soundscapes: Sonics, Pedagogies, Technologies

“…Interestingly, Lamb (2022) contribution to the issue was sparked by the sound of his photographs, which evidenced 'the recurring presence of music within student spaces'. Collaboratively creating two playlists based on student nominations and input, Lamb details how the music playlist shapes the educational environments of architecture design and history students, which extend beyond the classroom proper and turn into an educational method that traverses discrete times and spaces.…”