Abstract:This work has as corpus the Christmas special "The first temptation of Christ", the humor collective Portas dos fundos, and aims to analyze the movements of power relations in production, taking into account the attack that the producer suffered after the exhibition on Netflix. The main theoretical foundation is Foucault to explain about regimes of look and power relations, but mbembe's theory of necropolitics was also used, among other theorists. We came to the conclusion that the violent act was encouraged b… Show more
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