1954
DOI: 10.2307/40093704
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The Mirror and the Lamp: Romantic Theory and the Critical Tradition

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Cited by 29 publications
(41 citation statements)
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“…This perspective aligns with the views of historical figures, including Plato and Aristotle, who introduced the concept of 'mimesis' and significantly contributed to the discourse on art. In addition to pragmatic, objective, and expressive approaches to art analysis, Abrams (1953) included mimesis as a fundamental lens. Mimesis, in a sociological context, can be considered a primary and vital guide for understanding art.…”
Section: Narrative Animation and 3d Computer Graphicsmentioning
confidence: 99%
“…This perspective aligns with the views of historical figures, including Plato and Aristotle, who introduced the concept of 'mimesis' and significantly contributed to the discourse on art. In addition to pragmatic, objective, and expressive approaches to art analysis, Abrams (1953) included mimesis as a fundamental lens. Mimesis, in a sociological context, can be considered a primary and vital guide for understanding art.…”
Section: Narrative Animation and 3d Computer Graphicsmentioning
confidence: 99%
“…From this prism, a dual directionality and interaction of society and advertising is assumed, whereby advertising preserves traditional and majority values, as well as becoming a mainstreaming tool that favours social advances (Åkestam et al, 2017;McDonald et al, 2020;Mikkonen, 2010). In this framework, it is necessary to introduce the premises of the Mirror Theory (Abrams, 1953;Holbrook, 1987), which defends the idea that advertising reproduces the same patterns, behaviours and customs of the society in which it operates. Likewise, advertising can exercise its social function by bringing about social evolution and changes in favour of special collectives (Bahadur, 2014;Feng & Wu, 2009;Fowler & Thomas, 2015;McDonald et al, 2020;Zmuda, 2014).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Disinilah ambiguitas sering terjadi yang ditandai dengan munculnya perdebatan dipraktik sosial. Hal ini terekam dalam karya sastra (Jawa) yang dimaknai sebagai cermin kehidupan masyarakat (Abrams, 1976) dan imajinasi sosial (Udasmoro & Saktiningrum, 2022). Diantaranya, munculnya pemosisian perempuan sebagai objek yang dianggap tidak mampu memahami konsep kesetaraan ketika dibenturkan dengan adanya keleluasaan berperan di ranah publik dengan tanggung jawab di ruang domestik (Nafiana, 2018).…”
Section: Pendahuluanunclassified