The Methods of Zen Painting

Rawson, Philip

doi:10.1093/bjaesthetics/7.4.315

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“…Examples would include Saito (), Rawson (), Wicks (), and Miller (). Articles on Japanese aesthetics have also appeared in anthologies, for example, Marra ().…”

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confidence: 99%

Global Aesthetics-What Can We Do?

Higgins

2017

The Journal of Aesthetics and Art Criticism

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I argue that the default interpretation of “aesthetics” should be global aesthetics, and that aestheticians should take as standard preparation for work in the field some basic knowledge of aesthetics in various cultural traditions. I consider some of the obstacles that interfere with a move in this direction and some of the steps that might encourage a more inclusive self‐conception of the field.

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“…Examples would include Saito (), Rawson (), Wicks (), and Miller (). Articles on Japanese aesthetics have also appeared in anthologies, for example, Marra ().…”

mentioning

confidence: 99%

Global Aesthetics-What Can We Do?

Higgins

2017

The Journal of Aesthetics and Art Criticism

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Nature in the Light of Art

Hepburn¹

1973

Philosophy and the Arts

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Nature in the Light of Art

Hepburn¹

1972

Royal Institute of Philosophy Lectures

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Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.

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The Methods of Zen Painting

Cited by 4 publications

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Global Aesthetics-What Can We Do?

Global Aesthetics-What Can We Do?

Nature in the Light of Art

Nature in the Light of Art

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