The media in Pakistan

Ahmed, Khaled

doi:10.4324/9780429426810-7

Cited by 2 publications

(2 citation statements)

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“…This procedure left community and financial groups delayed in scarcity and gratitude, unable to deal with the monetary distress they visage in 1942 and 1943, during the Second World War II. This painting is again about the British era in the subcontinent and colonial period (Ahmed, 1962). This also shows the differential impact of the subcontinent and British rule as investigated.…”

Section: Discussion and Findingsmentioning

confidence: 56%

“…For instance, critic Akbar Naqvi contends that the "real challenge for Pakistani artists is to evolve a cultural identity that is rooted in the soil of the land, yet open to the influences of the modern world" (quoted in Ahmed, 1962). However, a different viewpoint contends that the fusion of East and West in Pakistani art can produce fresh and intriguing new forms of expression.…”

Section: Literature Reviewmentioning

confidence: 99%

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The Eastern and Western amalgamation: a dilemma for Pakistani artists

Shabir

Ullah

Asghar

2023

Lib. Arts Soc. Sci. Int. J.

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This research explores the combination of Eastern and Western amalgamation in the artwork of Farhat Ali painter. This East and West cultural diffusion discourses inquiries about cultural identity and its conceivable effect. During academics, curriculum studying, and practising Western art and in the paintings, the painter has to produce the-eastern approach. It was unsuccessful as it made the East and West divisions unspecified because the artist had to do such work, which belonged to the culture. The basic structures within the institutions are copied from the West and mainly affect the local art sector and most of the communication being done, which is a clear effect of post-colonialism. It is apparent from Farhat Ali’s work and his practice entirely that he has shrewdly noticed this conflict. Farhat Ali’s choreographed gestures and their placement make for highly dramatized illustrations. It might incorporate calligraphy, miniature painting techniques, or traditional patterns into a modernist painting or use contemporary materials and colours to create classic images. Ultimately, the researcher will prove the East and West combination is a trauma for Pakistani painters. This study also accentuates sociolect-psychoanalytical cultural conflicts and how to affect the feeling and behaviour of characters.

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Section: Discussion and Findingsmentioning

confidence: 56%

Section: Literature Reviewmentioning

confidence: 99%

The Eastern and Western amalgamation: a dilemma for Pakistani artists

Shabir

Ullah

Asghar

2023

Lib. Arts Soc. Sci. Int. J.

View full text Add to dashboard Cite

show abstract

Journalism and the regime change in Pakistan (2022): exploring the solidarity and political discourses on the social media

Ghauri

Khan

Ahmed

2023

J. Humanit. Soc. Manag. Sci.

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For the first time in Pakistan, a sitting prime minister has been ousted through a ‘No-Confidence Motion (NCM)’ initiated by the Pakistan Democratic Movement (PDM) in April 2022. PDM, the coalition of 15 political parties, claimed the success of NCM as the win of democracy. The ousted PM and Chairman Pakistan Tehreek-e-Insaf, Mr. Imran Khan, alleged that the motion was a ‘regime change’ attempt backed by a foreign conspiracy initiated by internal and external elements. Pakistani journalists, who are already labelled as political partisans, took to the social media platform Twitter, and started spreading the ‘political discourse’ about the removal of Khan from the PM office. This research explores the predominant themes within the discourse produced through the Twitter handles of the selected journalists; Arshad Sharif, Hamid Mir and Mazhar Abbas. Secondly, to determine whether and to what extent the journalists have produced the ‘political discourse’ and or the ‘solidarity discourse’. We have employed thematic analysis as a theoretical and methodological tool to achieve the research objectives. The findings show a clear divide between the journalists and an explicit polarization within the discourse produced through their Twitter posts on the issue, and the solidarity discourse is virtually non-existent.

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The media in Pakistan

Cited by 2 publications

References 0 publications

The Eastern and Western amalgamation: a dilemma for Pakistani artists

The Eastern and Western amalgamation: a dilemma for Pakistani artists

Journalism and the regime change in Pakistan (2022): exploring the solidarity and political discourses on the social media

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