Abstract:The process and project of rememory (after Toni Morrison’s Beloved, 1987) may be linked with a politics of hope – to exorcise, to move on, to empower; rememories are emergent ‘sites of feeling’ capable of triggering bodily reactions and emotional responses. This article takes stock of some emergent traces of post-conflict materialities that can be explored through storytelling, in this case, of the civil war between fascists and anti-fascists in Italy during the Second World War (1943–1945). The author reflect… Show more
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