The Malay Identity in Malaysian Women’s Paintings

Noh, Liza Marziana Mohammad; Ridzuan, Abdul Rauf; Idris, Nurkhazilah; Sharif, Tengku Intan Suzila Tengku; Ghani, Khairunnisa Mohd Abdul

doi:10.6007/ijarbss/v8-i10/4712

Cited by 3 publications

(4 citation statements)

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“…Art history cannot exist without art appreciation and vice versa. Art history works on the analysis of the origin, development, change, and fall of art styles (Ahmad Rashidi, 2012;Noh et al, 2018).…”

Section: Methodsmentioning

confidence: 99%

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Influences of the Western Abstract Art on the Visual Art Movement in Malaysia

Zakaria

Legino

2022

E-BPJ

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This ongoing research project focuses on the ways in which the influences of western art are ingrained in the artwork and contributed to significant shifts in the development of visual art in this country. The practice of observation, analysis, and classification for each selected connected artwork is supported by the review process from earlier and recent visual compilations as well as visiting the specific art institution, which might be public or private. The work was categorized and identified according to the topic, and the techniques and characters were used to highlight the features of the abstract style. The artwork produced by the female artists shows a different output and shares their identities and thoughts.

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Section: Methodsmentioning

confidence: 99%

“…In the opinion given by Noh et al (2018), the type of art style movement presented by female artists in this country mostly incorporates the experience of being in their environment as a featured subject in the artwork. This is based on the writing done by Noh.…”

Section: Art Movement In Malaysiamentioning

confidence: 99%

Influences of the Western Abstract Art on the Visual Art Movement in Malaysia

Zakaria

Legino

2022

E-BPJ

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“…Most of their artwork shared Malay art as their idea. to achieve national art did not appear during moments of 'dried brains' but more of the intellectuality and elegance of Malay female artists (Musa, 2010;Noh et al, 2018). There are various qualities embedded in their spirits and hearts that enable them to successfully express an aesthetic perspective on nature, society, and religion.…”

Section: Literature Reviewmentioning

confidence: 99%

The Concept of National Identity in the Artwork of Female Artists in Malaysia

Zakaria

Legino

Aziz

2022

E-BPJ

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This research examines national identity in two pieces by Fatimah Chik and Khatijah Sanusi. The research began with an examination of relevant material, including examples of national identity-related works and visual data on the works of Malaysian female artists obtained through photographs and digital recordings. Identifying and recognizing national identity in Malaysian female artists' works is categorized by the artwork's profile. The artwork's focus and criteria will be mapped with national identification data and related to the National Cultural Congress's study (NCC). Women's attitudes in art production reflect national identity in female artists' artworks that emphasize culture, family, and accuracy. Keywords: National Identity; Female Artists; Artwork; Malaysia eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI8.3918

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“…Since 1965, Malaysian artists have been committed to finding cultural recognition and have searched for their own identity. Particularly in the 1970s and the years that followed, local artists began to emerge with an awareness of national art (Noh et al, 2018). The establishment of the National Cultural Congress at the University of Malaya's Department of Sports and Youth in 1971 was the first official…”

Section: Introductionmentioning

confidence: 99%

The Spirit and Elements of Malaysian Multiculturalism in Chuah Thean Teng’s Batik Paintings

Wenyan,

Wan Mohamad Daud,

Tahir

2023

IdJ

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This paper examines the batik paintings of Chinese artist Chuah Thean Teng in the context of Malaysia’s multicultural society. Batik, an ancient traditional craft in Malaysia, was initially produced on textiles through wax and dyes and is often applied to daily clothing and objects. As such, the motifs and elements of batik paintings are closely related to the local culture and have a high symbolic value. Chuah Thean Teng has improved and developed the batik process into a work of art with aesthetic value. This paper aims to understand the social and cultural climate of the time through a generalised analysis of the results of Chuah Thean Teng to evaluate the artistic elements embedded in the batik works. The paper adopts an art historical research approach, which consists mainly of form and context analysis. The study is descriptive, with data in the form of text and images, including the artworks themselves, publications, books, journals, and other official records. Chuah Thean Teng, a Chinese artist, has inherited and evolved the traditional Malaysian batik art by seeking artistic inspiration in a culturally diverse environment. His work is a hybrid expression, reflecting the exchange and borrowing between cultures. This is in keeping with the historical context of the time and also conveys modern Malaysian art’s inclusiveness, diversity, and richness. As an essential part of contemporary Malaysian art, batik painting is itself a sign of modernity. It is hoped that this study will help to enrich the research and analysis of Malaysian batik painting and, through it, generate interest in batik painting and provide knowledge and methods of interpreting the content of the artwork.

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The Malay Identity in Malaysian Women’s Paintings

Cited by 3 publications

References 0 publications

Influences of the Western Abstract Art on the Visual Art Movement in Malaysia

Influences of the Western Abstract Art on the Visual Art Movement in Malaysia

The Concept of National Identity in the Artwork of Female Artists in Malaysia

The Spirit and Elements of Malaysian Multiculturalism in Chuah Thean Teng’s Batik Paintings

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