1981
DOI: 10.2307/25600288
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The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination

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Cited by 465 publications
(38 citation statements)
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“…But, perhaps of more relevance to this special issue is that Flaubert is equally foreign to Latin America yet likely to be more recognisable there than Dickens, as a great figure in literature, reminding us that the cultural and colonial ties that connect Latin America with continental Europe (in particular Spain and France), belong to very different traditions to those that inform the (British) Antipodes. 4 There are some literary and political resemblances between Kuchuk Hanem and Bertha Mason, the literary character in Charlotte Brontë's Jane Eyre; one of the accepted feminist icons of 'the mad woman in the attic' (Gilbert & Gubar, 1979). An interesting twist to this story lies in the fact that there was an actual Bertha Mason -born in 1855, eight years after the publication of Jane Eyre -who later became a suffragist.…”
Section: E N Dno T E Smentioning
confidence: 99%
See 1 more Smart Citation
“…But, perhaps of more relevance to this special issue is that Flaubert is equally foreign to Latin America yet likely to be more recognisable there than Dickens, as a great figure in literature, reminding us that the cultural and colonial ties that connect Latin America with continental Europe (in particular Spain and France), belong to very different traditions to those that inform the (British) Antipodes. 4 There are some literary and political resemblances between Kuchuk Hanem and Bertha Mason, the literary character in Charlotte Brontë's Jane Eyre; one of the accepted feminist icons of 'the mad woman in the attic' (Gilbert & Gubar, 1979). An interesting twist to this story lies in the fact that there was an actual Bertha Mason -born in 1855, eight years after the publication of Jane Eyre -who later became a suffragist.…”
Section: E N Dno T E Smentioning
confidence: 99%
“… There are some literary and political resemblances between Kuchuk Hanem and Bertha Mason, the literary character in Charlotte Brontë's Jane Eyre ; one of the accepted feminist icons of ‘the mad woman in the attic’ (Gilbert & Gubar, 1979). An interesting twist to this story lies in the fact that there was an actual Bertha Mason – born in 1855, eight years after the publication of Jane Eyre – who later became a suffragist. …”
mentioning
confidence: 99%
“…Sandra Gilbert and Susan Guba in "The madwoman in the attic: the woman writer and the nineteenth-century literary imagination" mention the male writers' imagination of female characters, and there are two types of female archetypes under male writers. Women are either "angels" or "monsters" in male writers [2]. In fairy tales, the heroine is usually the image of an "angel".…”
Section: Rewriting Of Character Imagesmentioning
confidence: 99%
“…In addition to myth, Beauvoir also points out the passivity of women's roles in Grimm's fairy tales. Sandra Gilbert and Susan Guba, in The madwoman in the attic: the woman writer and the nineteenth-century literary imagination, analyze the portrayal of women in fairy tales and expose the patriarchal metaphors implicit in fairy tales [2]. Along with the rise of feminist theory, feminist writers began to retell and rewrite classic fairy tales in response.…”
Section: Introductionmentioning
confidence: 99%
“…The starting point for the analysis will be to frame Permafrost as a feminist novel (cf. Gilbert & Gubar, 1979) and as a queer text based on the ideas of queer lesbian feminist theorists such as De Lauretis , 2011), Suárez Briones (2014), and Trujillo (2014, 2022 and authors such as Wittig (1986Wittig ( [1973) and Cixous (1983), who stand as key figures in lesbian feminist waves born in the 70s. Second, the translation will be examined through the lens of queer and feminist translation theories and practices, that serve as both translation and analysis tools.…”
mentioning
confidence: 99%