1932
DOI: 10.2307/770923
|View full text |Cite
|
Sign up to set email alerts
|

The Legacy of Islam

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

0
3
0

Year Published

2008
2008
2024
2024

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(3 citation statements)
references
References 0 publications
0
3
0
Order By: Relevance
“…Moreover, the Arabian concepts of troubadour poets were conceived intelligibly among Europeans (Arnold & Guillaume, 1931).…”
Section: International Journal Of English Language and Literature Stu...mentioning
confidence: 99%
“…Moreover, the Arabian concepts of troubadour poets were conceived intelligibly among Europeans (Arnold & Guillaume, 1931).…”
Section: International Journal Of English Language and Literature Stu...mentioning
confidence: 99%
“…By the 1840s Dickens and other fiction writers took another trend by sympathizing with the working class and colonized countries, and the (literally) disenfranchised generally, stressing achievements in politics, economics science, technology and spiritual feelings (Stonky, 1983). Arnold and Guillaume (1931) argued that English Romanticism in literature was influenced by the Arabian Nights, which contributed to gothic romance and in reforming the English medieval and non-classical taste. They added that the most significant work reflecting the influence of the Arabian Nights in the Nineteenth Century was Lalla Rookh (1817) by Thomas Moore.…”
Section: Victorian Literature and Islammentioning
confidence: 99%
“…Numerous works had Eastern names and flavours, such as Sohrab and Rustum (1853) by Matthew Arnold and Ferishtah's Fanciesi (1884) by Robert Browning. They concluded their argument by mentioning that the most compatible Arabian model in English prose literature during the Victorian period was The Shaving of Shagpat ( 1856) by George Meredith (Arnold and Guillaume, 1931). Khattak (2008) mentioned that Lalla Rookh was based on an Indian plot; it earned the praise of many Indian historians, although the author had never been to the Subcontinent.…”
Section: Victorian Literature and Islammentioning
confidence: 99%