R ESEARCH ON LATINO MASCULINITIES IS SCANT AND ONLY RARELY results in full-length monographs (Cant u; Mirand e). Recent scholarship underscores multiple ways of being a man in Latin America and among Latinos in the United States. It emphasizes variation in Latino masculinities across regions, ethnic groups, social classes, and time periods (Gonzalez-Lopez; Gutmann; and Mirand e).On screen, however, not only are Latinos underrepresented, but the dominant masculinity associated with Latinos continues to be fairly one-sided and stereotypical: the oversexualized Latin Lover, the lazy crook, and the violent macho. Of particular concern for the purposes of this article is the aggressive, homophobic macho that represents Latinos on screen. Recent work by Latino filmmakers and actors has begun to portray more realistic, multidimensional men, yet the stereotypical fundamentally violent macho persists and dominates portrayals of Latinos.This article draws on recent scholarship on Latino masculinities and violence and on the recent film La Mission (directed by Peter Bratt), a film that seeks to provide a counterstory to stereotypical on-screen depictions of Latinos in the United States, to examine the construction of hegemonic Latino masculinity and violence in the representation of Latino masculinity. I begin by providing background information on Latinos in the United States (and more specifically in California, where the film is set), Latino masculinities, and the history of on-screen Latino representation. I then move on to