The Late Masterwork of Gilles Deleuze

Abstract

This essay proposes that What Is Philosophy? (1991), written in collaboration with Félix Guattari, not only presents a summary of Gilles Deleuze’s late creative period and, to some extent, a recapitulation of his entire oeuvre but also constitutes his third masterwork. The essay begins by tracing Deleuze’s three periods, especially the development of his thought during the last period, and the process of writing his final book. Then it explores the inextricable connection between the method of creation that results from What Is Philosophy? and its stylistic devices. Through its refined composition and succinct prose, the book puts itself at the service of the approach that leads to bringing forth philosophical concepts, and it attunes the reader to the creative activity. Thus, like The Logic of Sense (1969) and A Thousand Plateaus (1980), it forms a masterwork in which Deleuze’s philosophical efforts that spanned a whole period are condensed and mobilized such that while reading one finds oneself exposed to these efforts and is forced to continue them.

Concepts as Shelter

“…According to Deleuze and Guattari (1994), philosophy is the creation of concepts. For the purpose of this article, I will briefly elaborate what their theory of concepts has to offer for feminist theorizing, and I will leave aside a broader discussion of the different qualities their conceptual account speaks to (Bell 2009;Patton 2003;Schmidgen 2015;Schönher 2020;Stengers 2005) as well as a general discussion of the feminist value of their work (Braidotti 2002;Buchanan and Colebrook 2022;Grosz 1994;Olkowski 1999;Stark 2017).…”