The Landscape Configuration and Semantic Landscape of Hamheo-pavilion in Gokseong

Abstract

This research traced the characteristics of the semantic landscape, construction intent, landscape composition, and geomantic conditions of the area subject to the research based on the research methods of 'field investigation, document studies, and interviews,' centering around the entire area of Gokseong Hamheo-pavilion (Jeonnam Tangible Cultural Assets No. 160). The result of the research, specifically revealing the forms and methods by which the reciprocal view of nature and landscape composition appearing in the landscape of the entire area of Hamheo-pavilion, as part of the analysis and interpretation over the view-based construction characteristics and position of the entire area of Gokseong Hamheo-pavilion, can be summarized as follows.First, Hamheo-pavilion is a pavilion built as a resting area and as a venue for educational activities in 1543 in the nearby areas after Gwang-hyeon Sim founded Gunjichon-jeongsa for educational activities and dwelling purposes at Gunchon at the 30th year of King Jungjong. Gunchon, where Hamheo-pavilion and Gunjichon-jeongsa is located, exhibits the typical form having water in the front, facing Sunja-river(present Seomjin-river), and a mountain in the back side. Dongak-mountain, which is a guardian mountain, is in a snail-type form where cows leisurely ruminate and lie on the riverside, and the Hamheo-pavilion area is said to be an area bordering on one's way of enjoying peace and richness as it is a place with plentiful grass bushes available for cows to ruminate and lie down while sheppards may leisurely play their flutes at the riverside. The back hill of Hamheo-pavilion is a blood vessel that enters the water into the underwater palace of the turtle, and the building sitting on the turtle's back is Hamheo-pavilion, and the Guam-jodae(龜巖釣臺) and lava on the southern side below the cliff can be interpreted to be the underwater fairly land wanted by the turtle. 6) Second, Hamheo-pavilion is the scenery viewpoint of Sungang-Cheongpung (鶉江淸風, 3rd Scenery) and Seolsan-Nakjo(雪山落 照, 9th Scenery) among the eight sceneries of Gokseong, while also the scenery viewpoint of Hamheo-Sunja(涵虛鶉子, 2ndScenery) and Cheonma-Gwiam(天馬歸岩, 3rd Scenery) among the eight sceneries of Ipmyeon. On the other hand, the pavilion is reproduced through the aesthetics of bends through sensible penetration and transcendental landscape viewed based on the Confucian-topos and ethics as the four bends among the five bends of Sunja-river arranged in the 'Santaegeuk(山太極) and Sutaeguek(水太極, formation of the yin-yang symbol by the mountain and water)' form, which is alike the connection of yin and yang. In particular, when based on the description over Mujinjeong (3rd Bend), Hoyeonjeong(4th Bend), andHapgangjeong(2nd Bend) among the five bends of Sunja-river in the records of Bibyeonsainbangan-jido(duringthe 18th century) and Okgwahyeonji(1788), the scenery of the five bends of Sunja-river allow to glimpse into its reputation as an attraction-type connected scenery in the latter period of the Joseon era, instead ...

A Study on the Landscape Elements and Distribution Characteristics of Mount Tai Appearing in Poems

“…Images of mental perceptions (towering, magnificent) and imaginary symbolic meanings (gods, thoughts, mythical animals, etc.) about the landscape are called semantic landscapes (Lee et al, 2015).…”

“…The important landscape elements in the natural and artificial landscape in this study are almost the same as those in previous studies (Xu, 2019). continuous peaks (12), the summit of Mount Tai (7) continuous peaks (11), the summit of Mount Tai (9) continuous peaks (10),the summit of Mount Tai (10) continuous peaks (13)…”

“…sky (10), clounds (9), sunrise (9) sky (9),clounds (10), sunrise (11) sky (7), clounds (9), sunrise (7) sky (9), clounds (13), sunrise (12) Artificial landscape Relics stone inscriptions (2) stone inscriptions (1) stone inscriptions (3) stone inscriptions (7) stone inscriptions (6) Human activities Time cyan (2) cyan ( 5) cyan ( 3) cyan ( 6) cyan (4)…”