Abstract:The L-word is said to be the first commercial television drama that is narratively centered on lesbian characters. How is a queer audience, in this case eighteen lesbian, bisexual or queer identified Swedish women, interpreting a homonormative mainstream media text? This article aims to read the representation and reception of The L-word against freudian psychoanalysis and spectatorship theory’s splitting of identification and desire and a queer critique of these. It also discusses the lesbian sex scenes in th… Show more
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