Abstract:What is the “world” in “world literature”? In publishing, as in literary criticism, this term often applies to the leftovers of the international literary market: works not drawn from the major national publishing markets. It signifies, in effect, “the rest of the world” or perhaps “the unknown world.” Yet if Édouard Glissant is right, this shortcut bred of convenience and contempt aptly names the world-historical significance of the leftovers called “world literature.” This essay reads Glissant's Poetics of … Show more
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