“…Rooting Jonson's political stance in Seneca and Cicero, she exonerates Jonson from sycophancy by arguing that he follows classical principles of decorum involving truth and kairos, the notion that timeless truths must be adapted 'in responding to a given situation'. 49 Jonson's masques do not flatter, but find ways of praising constant virtues even in commissioned works. At the heart of Scott's essay is Martin Butler's argument that historicist approaches have led to 'formulaic and transhistorical' understandings of masque politics.…”