The Isenheim Altar

Burkhard, Arthur

doi:10.2307/2846452

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Exempel 1: "The Hunters In the Snow" 291

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2016

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“…Her fainting body threatens to fall backward with a movement so abrupt as to seem anatomically impossible but all the more terrifying on this very account. 42 När man läser Hillbäcks dikt så ser man att andra krafter är i spel här jämfört med det förra exemplet. För det första syftar titeln, "Mathis målaren i Isenheim" med allra största säkerhet både på Isenheimaltaret och på Hindemiths opera och symfoni Mathis der Maler från 1934-1935.…”

Section: Exempel 1: "The Hunters In the Snow" 29unclassified

Fakta och fiktion i ekfrastiska representationer av bilder

Tornborg¹

2016

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Fact and Fiction in Ekphrastic Representations How do we distinguish between fictional and factual texts? Is there an inherent difference between the language used in, for example, a poem, and a text in an art history book? Or is it merely a matter of context? Ekphrastic texts have a special place in discussions about fact versus fiction, since they often (though not always) relate in various ways to existing media products such as paintings, photographs and sculptures, and since they have been traditionally used as substitutes for actually seeing, for example, a work of art. In this article I investigate ekphrastic poems and factual texts which represent the same art works, in order to discuss the issue of fact and fiction in different kinds of texts.

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Section: Exempel 1: "The Hunters In the Snow" 29unclassified

Fakta och fiktion i ekfrastiska representationer av bilder

Tornborg¹

2016

TfL

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The Isenheim Altar

Cited by 1 publication

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Fakta och fiktion i ekfrastiska representationer av bilder

Fakta och fiktion i ekfrastiska representationer av bilder

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