The interior life of iPoi: Objects that entice witting transitions in performative behaviour

Sheridan, Jennifer G.; Bayliss, Alice; Bryan-Kinns, Nick

doi:10.1386/padm.3.1.17_1

Cited by 2 publications

(2 citation statements)

References 6 publications

(4 reference statements)

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“…Reeves et al (2005) present a framework for examining performers' manipulations and their resultant effects yet their framework encompasses all people who interact with a system, regardless of their insight, or virtuosity and cannot be used to capture how spectators become performers (Sheridan, 2006;Sheridan, Bayliss and Bryan-Kinns, 2007a;Sheridan, Bryan-Kinns and Bayliss, 2007b). Moreover, Reeves et al's (2005) framework does not account for people who are in the same space as the performance, but not implicated in it.…”

Section: Introductionmentioning

confidence: 99%

Designing for performative tangible interaction

Sheridan¹,

Bryan-Kinns²

2008

IJART

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Abstract:We propose that designing tangibles for public interaction requires an understanding of both functional and non-functional aspects informed by Live Art theories. In this paper, we outline design requirements for performative tangible interaction, propose a framework for assessing performative interaction and demonstrate its use through four case studies of the iterative redesign of a highly portable, tangible exertion interface. By reflecting on our experience of designing for performative interaction we develop guidelines for developing multi-participant Digital Live Art.Keywords: acceleration; accelerometers; design; Digital Live Art; embedded; evaluation; exertion; guidelines; interfaces; multi-participant; performance; public; tangible; wireless.Reference to this paper should be made as follows: Sheridan, J.G. and Bryan-Kinns, N. (2008) Nick Bryan-Kinns lectures on Graphical User Interface design at Queen Mary, University of London. His EPSRC-funded research focuses on exploring the nature of mutually engaging interaction, in particular, group music collaboration using novel shared musical instrument. He was recently involved in two EPSRC-funded networks focussing on the art-computer cross-over and designing for the twenty-first century, and was co-chair of the BCS-HCI Designing for performative tangible interaction

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Section: Introductionmentioning

confidence: 99%

Designing for performative tangible interaction

Sheridan¹,

Bryan-Kinns²

2008

IJART

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“…Our aim was to design and build an interactive object, which would entice performative interaction and play (Sheridan et al, 2007). Using accelerometers as the mediating technology (Sheridan, 2006) and the performing body in flight, Hoverflies developed into an outdoor installation that investigated how motion, gravitational pull and velocity might manifest into a variety of digital outputs and make an impact on both the experience of the user and on those participating as observers or audience.…”

Section: (Re)searching Through Playmentioning

confidence: 99%

(Re)searching through play: play as a framework and methodology for collaborative design processes

Bayliss

Hales

Palmer

et al. 2009

IJART

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ReuseUnless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version -refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher's website. TakedownIf you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing eprints@whiterose.ac.uk including the URL of the record and the reason for the withdrawal request. Keywords: art; collaborative design processes; composition; design; embodiment; emergence; experience; interaction; objectile; performance; play; play as framework; play as methodology; researching through play; technology. Biographical notes:Alice is an academic-practitioner in the field of interactive performance, club culture and play and is Creative Director of the performance company …floorSpace…. She has worked on a number of collaborative, interdisciplinary projects which investigate new technologies for performance.

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The interior life of iPoi: Objects that entice witting transitions in performative behaviour

Cited by 2 publications

References 6 publications

Designing for performative tangible interaction

Designing for performative tangible interaction

(Re)searching through play: play as a framework and methodology for collaborative design processes

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