“…Macromarketing scholarship, given its tradition can benefit from the confluence of film theory, visual methods, and the ecological perspectives suggested here. What emerges from our analysis is that the greatest business movies are no doubt entertaining (see also Holbrook 2000), hence, their popularity and ratings, but they also are very representative of the DSP and its predilection with materialism (Kilbourne et al 2009) and our claim that what can be extrapolated from these various narratives is broadly Screening not Greening, of business values and tropes. Following Benjamin's notion of ''phantasmagoria'' (originally an eighteenth-century illusionistic optical apparatus, involving shadows of moving pictures projected past an audience onto a wall or screen Benjamin et al [2008, 11]) it should be asked must big business de facto be in opposition to holistic ecological models?…”