1950
DOI: 10.2307/333993
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The Imprisonment of the Archpriest

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“…Moffatt explains that she hoped to capture a sense of the in-between here: between documentary and invention, present and past, time and space, and between cohesive narrative moments. 25 The effect is decidedly not auratic or transcendent but a surreal dystopic estrangement. And yet Up in the Sky nonetheless transports us with its emotional and dramatic tensions, and more specifically touches us through its spatio-temporal ambiguities.…”
Section: North Writesmentioning
confidence: 99%
“…Moffatt explains that she hoped to capture a sense of the in-between here: between documentary and invention, present and past, time and space, and between cohesive narrative moments. 25 The effect is decidedly not auratic or transcendent but a surreal dystopic estrangement. And yet Up in the Sky nonetheless transports us with its emotional and dramatic tensions, and more specifically touches us through its spatio-temporal ambiguities.…”
Section: North Writesmentioning
confidence: 99%